It is in the small things we see it.
The child's first step,
as awesome as an earthquake.
The first time you rode a bike,
wallowing up the sidewalk.
The first spanking when your heart
went on a journey all alone.
When they called you crybaby
or poor or fatty or crazy
and made you into an alien,
you drank their acid
and concealed it.

Later,
if you faced the death of bombs and bullets
you did not do it with a banner,
you did it with only a hat to
cover your heart.
You did not fondle the weakness inside you
though it was there.
Your courage was a small coal
that you kept swallowing.
If your buddy saved you
and died himself in so doing,
then his courage was not courage,
it was love; love as simple as shaving soap.

Later,
if you have endured a great despair,
then you did it alone,
getting a transfusion from the fire,
picking the scabs off your heart,
then wringing it out like a sock.
Next, my kinsman, you powdered your sorrow,
you gave it a back rub
and then you covered it with a blanket
and after it had slept a while
it woke to the wings of the roses
and was transformed.

Later,
when you face old age and its natural conclusion
your courage will still be shown in the little ways,
each spring will be a sword you'll sharpen,
those you love will live in a fever of love,
and you'll bargain with the calendar
and at the last moment
when death opens the back door
you'll put on your carpet slippers
and stride out.

-Anne Sexton. "Courage."



Me he estado obsesionando con Dylan Thomas últimamente. De eso que te encuentras con una de sus frases citada por ahí, empiezas a leer sus poemas, sus cartas de amor, y han pasado dos horas sin enterarte. Ya me he hecho con esta antología para poder sumergirme más a fondo en su poesía, pero por ahora estas son algunas de las perlas que han causado la obsesión en cuestión: 


“I love you so much I’ll never be able to tell you; I’m frightened to tell you. I can always feel your heart. Dance tunes are always right: I love you body and soul: —and I suppose body means that I want to touch you and be in bed with you, and i suppose soul means that i can hear you and see you and love you in every single, single thing in the whole world asleep or awake.”


"I know we’re not saints or virgins or lunatics; we know all the lust and lavatory jokes, and most of the dirty people; we can catch buses and count our change and cross the roads and talk real sentences. But our innocence goes awfully deep, and our discreditable secret is that we don’t know anything at all, and our horrid inner secret is that we don’t care that we don’t."


Su primera carta de amor a la que después sería su mujer, Caitlin MacNamara, en la que ridiculiza la exageración de sus propias nociones románticas: 



"Caitlin darling darling, I caught lots of buses and went to sleep in them and ate wine gums in the train and got here awfully late in a sort of thunder storm. This morning I can’t do anything but sit with my headache and my liver in a higgledy piggledy room looking out on the rain, and now I’m trying to keep my hand steady to write a neat letter to you that isn’t all miserable because I’m not with you in Laugharne or in London or in Ringwood or whatever daft place you’re in without me. […] I want you to be with me; you can have all the spaces between the houses, and I can have a room with no windows; we’ll make a halfway house; you can teach me to walk in the air and I’ll teach you to make nice noises on the piano without any music; we’ll have a bed in a bar, as we said we would, and we shan’t have any money at all and we’ll live on other people’s, which they won’t like a bit. […] I want to be with you because I love you. I don’t know what I love you means, except that I do. […] Write to me soon, very very soon, and tell me you really mean the things you said about loving me too; if you don’t I shall cut my throat or go to the pictures."

Dos de sus poemas más famosos recitados (prácticamente cantados) por él (atención a su increíble voz): 




“Do not go gentle into that good night. Rage, rage against the dying of the light.” 



“Though lovers be lost, love shall not; And death shall have no dominion.”




You are a woman.  
Skin and bones, veins and nerves, hair and sweat.  
You are not made of metaphors.  
Not apologies, not excuses.




Deciding how many bites is too many,  
how much space she deserves to occupy.




I want her back so bad...
I leave the door unlocked.  
I leave the lights on. 



  
Maybe love stays, maybe love can’t.  
Maybe love shouldn’t.


 

Do not regret this. 
 Do not turn red.   
When your mother hits you,   
do not strike back.




Llorar a lágrima viva
Llorar a chorros.
Llorar la digestión.
Llorar el sueño.
Llorar ante las puertas y los puertos.
Llorar de amabilidad y de amarillo.

Abrir las canillas,
las compuertas del llanto.
Empaparnos el alma,
la camiseta.
Inundar las veredas y los paseos,
y salvarnos, a nado, de nuestro llanto.

Asistir a los cursos de antropología,
llorando.
Festejar los cumpleaños familiares,
llorando.
Atravesar el África,
llorando.

Llorar como un cacuy,
como un cocodrilo…
si es verdad
que los cacuyes y los cocodrilos
no dejan nunca de llorar.

Llorarlo todo,
pero llorarlo bien.
Llorarlo con la nariz,
con las rodillas.
Llorarlo por el ombligo,
por la boca.

Llorar de amor,
de hastío,
de alegría.
Llorar de frac,
de flato, de flacura.
Llorar improvisando,
de memoria.
¡Llorar todo el insomnio y todo el día!


-Oliverio Girondo. "Espantapajaros 18".


From childhood’s hour I have not been
As others were—I have not seen
As others saw—I could not bring
My passions from a common spring—
From the same source I have not taken
My sorrow—I could not awaken
My heart to joy at the same tone—
And all I lov’d—I lov’d alone—
Then—in my childhood—in the dawn
Of a most stormy life—was drawn
From ev’ry depth of good and ill
The mystery which binds me still—
From the torrent, or the fountain—
From the red cliff of the mountain—
From the sun that ’round me roll’d
In its autumn tint of gold—
From the lightning in the sky
As it pass’d me flying by—
From the thunder, and the storm—
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view—

-Edgar Allan Poe. "Alone."



I am silver and exact. I have no preconceptions.
What ever you see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful---
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is a part of my heart. But it flickers.
Faces and darkness separate us over and over.


Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.


-Sylvia Plath. "Mirror."


Señor
La jaula se ha vuelto pájaro
y se ha volado
y mi corazón está loco
porque aúlla a la muerte
y sonríe detrás del viento
a mis delirios

Qué haré con el miedo
Qué haré con el miedo

Ya no baila la luz en mi sonrisa
ni las estaciones queman palomas en mis ideas
Mis manos se han desnudado
y se han ido donde la muerte
enseña a vivir a los muertos

Señor
El aire me castiga el ser
Detrás del aire hay monstruos
que beben de mi sangre

Es el desastre
Es la hora del vacío no vacío
Es el instante de poner cerrojo a los labios
oír a los condenados gritar
contemplar a cada uno de mis nombres
ahorcados en la nada.

Señor
Tengo veinte años
También mis ojos tienen veinte años
y sin embargo no dicen nada

Señor
He consumado mi vida en un instante
La última inocencia estalló
Ahora es nunca o jamás
o simplemente fue

¿Cómo no me suicido frente a un espejo
y desaparezco para reaparecer en el mar
donde un gran barco me esperaría
con las luces encendidas?

¿Cómo no me extraigo las venas
y hago con ellas una escala
para huir al otro lado de la noche?

El principio ha dado a luz el final
Todo continuará igual
Las sonrisas gastadas
El interés interesado
Las preguntas de piedra en piedra
Las gesticulaciones que remedan amor
Todo continuará igual

Pero mis brazos insisten en abrazar al mundo
porque aún no les enseñaron
que ya es demasiado tarde

Señor
Arroja los féretros de mi sangre

Recuerdo mi niñez
cuando yo era una anciana
Las flores morían en mis manos
porque la danza salvaje de la alegría
les destruía el corazón

Recuerdo las negras mañanas de sol
cuando era niña
es decir ayer
es decir hace siglos

Señor
La jaula se ha vuelto pájaro
y ha devorado mis esperanzas

Señor
La jaula se ha vuelto pájaro
Qué haré con el miedo


-Alejandra Pizarnik. "El Despertar". 



No te quedes inmóvil
al borde del camino
no congeles el júbilo
no quieras con desgana
no te salves ahora
ni nunca
no te salves
no te llenes de calma
no reserves del mundo
sólo un rincón tranquilo
no dejes caer los párpados
pesados como juicios
no te quedes sin labios
no te duermas sin sueño
no te pienses sin sangre
no te juzgues sin tiempo

pero si
pese a todo
no puedes evitarlo
y congelas el júbilo
y quieres con desgana
y te salvas ahora
y te llenas de calma
y reservas del mundo
sólo un rincón tranquilo
y dejas caer los párpados
pesados como juicios
y te secas sin labios
y te duermes sin sueño
y te piensas sin sangre
y te juzgas sin tiempo
y te quedas inmóvil
al borde del camino
y te salvas

entonces

no te quedes conmigo


-Mario Benedetti. "No te salves".



Esta es, probablemente, la carta más romántica jamás escrita:


25 College Street


My dearest Girl,

This moment I have set myself to copy some verses out fair.  I cannot proceed with any degree of content.  I must write you a line or two and see if that will assist in dismissing you from my Mind for ever so short a time.  Upon my Soul I can think of nothing else - The time is passed when I had power to advise and warn you again[s]t the unpromising morning of my Life - My love has made me selfish.  I cannot exist without you - I am forgetful of every thing but seeing you again - my Life seems to stop there - I see no further.  You have absorb'd me. I have a sensation at the present moment as though I was dissolving - I should be exquisitely miserable without the hope of soon seeing you.  I should be afraid to separate myself far from you.  My sweet Fanny, will your heart never change?  My love, will it?  I have no limit now to my love - You note came in just here - I cannot be happier away from you - 'T is richer than an Argosy of Pearles.  Do not threat me even in jest. I have been astonished that Men could die Martyrs for religion - I have shudder'd at it - I shudder no more - I could be martyr'd for my Religion - Love is my religion - I could die for that - I could die for you.  My Creed is Love and you are its only tenet - You have ravish'd me away by a Power I cannot resist: and yet I could resist till I saw you; and even since I have seen you I have endeavoured often "to reason against the reasons of my Love."  I can do that no more - the pain would be too great - My Love is selfish - I cannot breathe without you.

Yours for ever
John Keats


Este libro recoge todos los poemas y cartas que Keats le escribió a Fanny Brawne, y la preciosa película Bright Star cuenta su historia de amor. 



waiting for death
like a cat
that will jump on the
bed


I am so very sorry for
my wife


she will see this
stiff
white
body
shake it once, then
maybe
again


"Hank!"

Hank won't
answer.


it's not my death that
worries me, it's my wife
left with this
pile of
nothing.


I want to
let her know
though
that all the nights
sleeping
beside her


even the useless
arguments
were things
ever splendid


and the hard
words
I ever feared to
say
can now be
said:


I love
you.


-Charles Bukowski. "Confession." 



Burn all of your bridges
just so that you can build them again
with thicker ropes.

Hurt all the people you love
and then commit every felony to win them back.

Drown yourself in bleach until not even Heaven’s light
can compare to how bright you can burn.

Turn yourself inside out
and paint your organs the color of what you see
in your dreams.

This is the art of
living with a ticking heart — a grenade you
throw through windows to make a
point that language
has no room for.

This is how I destroyed you. And this, is how
I kept you alive.

Dig yourself a ditch, six
feet deep, and bury everything that you’ve ever
said, everything that you’ve never
meant, and everything that has
burned you and left you with nothing
but ash.


— Shinji Moon“Advice From Dionysus.” 


Con la tecnología de Blogger.